Penumbra
October 2021 ––Curator Steve Aoki, a collector of GMUNK, sees him as an important figure now and in the future: “GMUNK is an icon in the space. He represents a rich digital culture that has been building for years. His ability to seamlessly blend traditional photography and videography with digital art creates stunning images that draw me in. I think it’s important that we highlight artists like him as the space grows.”
The Film
–– 01Title: Penumbra
Type: born-digital, single-channel digital video
00:00:54 seconds (3840 x 2160 pixels)
Auctioneer: Sotheby’s Metaverse
Curator: Steve Aoki
Collector: Pranksy
Price Realized: $28,000
Executed in 2021. This work is unique and is accompanied by a non-fungible token.
Lot Essay
–– 02Here we witness a lunar coup and a hostile takeover of illumination. An excessive copulation between light and dark where each one, by virtue of being eclipsed, is empowered - the shadows are dug deeper, the light is made more searing, and infinitely opposing portals are launched. It is an obscuration of the original markings of an order that sought meaning in their circles of ceremony, and divinity in the spheres that hovered above them.
Both bodies are antagonists and protectors of each other at the same time. The celestial iris, constant, an inky sphere on which every point is the center of that universe, provokes a refraction of perspectives - are we moving ahead, or is all moving ahead while we remain still? Subject to the variation in mood and temper, adrift and steady at the same time, wavering and rusting away, precise and unclarified so that balance, here in the world of paradox, is simply a matter of perspective. Axis upon axis, thundering one on top of the other with no place in time.
The Process
–– 03That moment inside the shadow and the associated feeling was the definition of the art – and every detail of visual and sound design led the viewer to that moment inside, rendering an opportunity to reflect on themselves and their place in this cosmic space.
The piece was shot practically with a circle dolly, anamorphic glass and stacks of spherical squeeze diopters. Creating and filming an eclipse practically allowed greater control over the physicality of the light and shadow, and a realism that would’ve been very difficult to achieve in cgi or any synthetic manner.
Digital Artist: GMUNK
Director: GMUNK
Assistant Director: Derek Jaeschke
Executive Producer: Adam Baskin
Producer: Max Knies
Cinematographer: Joe Picard
Lighting: Matt Ardine
Choreography: Kitty Mcnamee
Movement: Lisa Sainvil
Color Grade: Billy Hobson
Composer: Keith Ruggiero
Munky’s Grid.
1999 –– 2025The Grid is a mosaic of the creative profile. It is the flowchart of output –– the pulse of pursuit. Each entry is a memory, an arc of emotion; a creative fulfullment with vivid learnings and an enduring imprint.
The Grid is the totality of the flow.